07 August 2006

The Last Day is just the Beginning (part 1)

(Not a direct sequel, but a continuation of the 2004 travel saga begun here: Trip Prep; The Screws of The Man: Part 1, Part 2, Part 3)

14 months.

14 months living in a store front in San Francisco only to confirm my first impression: a cool place to visit, but not somewhere I wanted to live. Normally, I would've trusted my gut, but a couple of SF buds hooked me up with a live/work situation through a friend of theirs. I had recently had an apartment fall through in LA the day after I'd been given the keys, so a place to live where I could bypass the usual applications and lease agreements was tremendously appealing at that time. When my car got totaled the day before I was supposed to move to SF, and one of the other drivers commented, "Maybe someone's trying to tell you something," with an upward glance, I just shrugged and said, "Maybe," to be polite. Ill omen or not, I was moving to San Francisco because it was the convenient thing to do at the time.

Studio 2A month later, my 14 months at the studio began. It was a store front really, with a big front window street level, French doors with long vertical glass windows, an uneven linoleum floor, high ceilings, a couple of back rooms with no doors, a tiny half-bath, and a long, narrow side room with a series of rectangular openings to the main room that would be my bedroom.

Elroy was renting it at the time to use as his art studio, a playpen really for an energetic guy making good money at an art gallery. To get more use of it, he agreed to let me live there in exchange for work on his various extracurricular projects. The first thing I did for Elroy was shoot and direct his video entry submission for The Apprentice. Believe me when I say I'm sorry he didn't make it on; we had a good bonus schedule worked out for each level he attained.

Studio 1The studio is easily the strangest place I've ever lived though I was not the first to call it home, I was the third. The first guy to live there converted one back room into a kitchen and set up the other with storage shelves and a bathtub and shower rig that drained into the kitchen sink. My bedroom was 6'2" wide and 16'6" long, but most of the length of it was under the slope of stairs that led to the upper floors from outside. The whole time I was there, I slept on Elroy's queen sized air mattress which basically covered the span from wall to wall.

Even though other people had lived there before, the studio wasn't meant to be residential. Elroy told me that if the landlord ever happened by and asked about my bedroom that I should just say the room was for breaks if we were working late. He assured me that Gary knew people had lived there, they just had an unspoken agreement to never mention it to keep everyone out of trouble.

Gary worked across town somewhere so he wasn't really an issue, but his ancient mother lived above me. The rent checks I coaxed out of Elroy each month were made out to her. Being entirely unofficial, I was always anxious those months when wrinkled Mrs. G would knock on my door because Elroy had been too busy to drop off a check on time or during that especially unpleasant period when he withheld the rent in order to renegotiate his lease to a lower rate. (I'm still amazed that worked- I most certainly would get kicked out if I tried such a stunt.) Mrs. G would raise her eyebrows, put out her hand, and speak expectantly in her thick Chinese accent. That she wanted the rent was always clear. I would apologize, tell her I was trying to reach Elroy, emphasize "Soon" or "Today," and abundantly nod my understanding until she would leave.

It wasn't until the day I left that I realized just how little English she spoke...

NEXT>>>

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Purge

I'm in the mood to throw stuff out. Clothes I'm keeping for no good reason come directly to mind (of course, I'll donate anything still in good shape). The desire to do this feels good, a by-product of an ill mood dispelled, a readiness to dispense with stuff I don't need or that doesn't suit me anymore.

And here's a treat for you: Ani DiFranco songs on The Hype Machine. Click "listen" et voila, a variety of tracks in full! It's an audioblog aggregator so if you're not into Ani, there's probably tracks of another artist you like available for the listening. Enjoy!

One year ago at TTaT: No justice, 3 waggers
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05 August 2006

The Screws of The Man (Part 3)

(2004 travel saga continued: prelude: Trip Prep; The Screws of The Man: Part 1, Part 2)

From the moment I found out there was actually a fee for a temporary No Parking sign permit, I knew that I'd hand over fifty bucks without blinking an eye. $112.75, on the other hand, was worth serious consideration: that's a good chunk of a day's travel expenses. I could stay in truly divey motels for 5 days to recoup, but five days? Not really what I had in mind. Besides, that might increase the odds of my car getting broken into while I travel.

I felt certain that if I committed to getting the permit, I would subsequently find a great spot on my block. A street cleaning ticket is only $35 after all. However ultimately, since I plan to load up and then leave, having a space directly in front of the studio is integral to a smooth start. I would pay the damn fine, I mean fee.

I called the station and got Officer McIntire again. He seemed to remember me. Since I didn't have access to a fax machine, I said I could stop by the station. I had to feed my friend Chala's fish anyway and the station is about halfway en route. He noted the time and asked how long it would take me to get there since it was the end of the day.

"Ten minutes."

"Ok, I'll wait for you."

"Or I can come tomorrow if that's easier."

"No, that's all right. If you can be here in ten minutes, I'll wait," he said.

I grabbed my checkbook and hoofed down the street. I knew I could make it just walking, but I ran a downhill block just to be safe.

When I walked into the station, I saw a woman and her daughter waiting by the window. It reminded me of the last time I'd been there, when my car had been broken into and I had to wait a long time before someone came up to the window. There was only one officer towards the back of the room and he was on the phone. I wondered how long they'd been waiting and checked my watch.

Another officer came up, opening the door to the little lobby. After explaining I wasn't with the others, I told him I was there to see Officer McIntire. The mother asked if her daughter could use the restroom since she was desperate, so he led the girl back and went to get my cop.

"We just got burglarized. I feel so violated," the mom said to me.

"Yeah, the last time I was here was because my car had been broken into." I didn't think to ask if they'd been mugged or what exactly, though it occurs to me now it'd be good to know what's going on in my neighborhood even if I am leaving soon. In fact, I acted just like most everyone did when I said my car had been broken into: preoccupied with my own errand, I responded with my victimization and little sympathy, just a commiseration that the police wouldn't be able to do much, if anything.

The door opened again, this time for me. Officer McIntire introduced himself and his 10 year old daughter, Caroline. His handshake was a notch or two below bone-crushing so I responded in kind as my best defense. As we walked back, he gave me the fifty cent tour pointing out the main office, the holding cell where they detain bad guys (there was one in there! I should've paid more attention to what he looked like), and other features of the station. What struck me most were the benches along the wall; for each bench, 4 handcuffs hung from a bar bolted to the wall above them. Otherwise, the main office just had a table surrounded by maroon vinyl chairs and some desks. His office was beyond that.

He and Caroline sat down, but then he asked her to get up so I could sit, so she moved to the chair beyond him. It was more of an alcove than an office since there was no door, but it was away from the main rooms with a hall separating it. Two desks sat across from each other, but the other occupant was out.

He started filling out the paperwork and telling me about his life. He's a widower which is why his daughter was with him at work. He has three kids: 10, 12, and 13; two boys, one girl. He showed me a recent photo on his desk located under a clear protective sheet with several others. Caroline retrieved the logbook and signs and started helping him with his old computer. When I told him I was moving to Massachusetts, he launched into tales of his wife who was from Attleboro, pushing aside papers to show me more pictures of people in areas of MA of which I was largely unfamiliar. I sputtered the occasional comment and nodded politely; he was gregarious and didn't mind that I was quiet.

The signs would have to go up Saturday. "If I print them out now, could you take them?" he asked.

"Yeah, I guess so," I replied somewhat half-heartedly as I considered having to lug them on to Chala's and then back, or going home first and then going to feed the fish.

"Are there trees or poles around you can hang them from?"

"Yeah, there's a couple poles."

"If you can put them up, then that'll save me coming in on Saturday."

Knowing how much of a drag I'd consider that if it'd been me, I said, "Sure."

His computer wasn't responding. I waited patiently, unfazed, because it reminded me of the computer I'll return to once I get it out of storage, how slow and finicky it was, and how much more so it will be if it even still works.

"After you got here so fast, I can't believe how long this is taking."

"That's ok," I assured him; and it was as I was glad to be taking care of it once and for all.

"You know, because you're from Massachusetts, I'm not gonna charge you. You just have to hang the signs."

My relaxed attitude had left me present enough that there was no question about what he'd just said. "You totally rock," spilled out of my mouth in an unexpected wave of elation.

"What's that?"

"I said, 'You rock.'" It felt like an awkward age displacement within myself when repeated. Still, my very nice officer turned out to be a VERY nice officer. Inward leaps of joy; I started paying more attention to his tales and committed his daughter's name to memory the next time he said it.

He told me how he'd gotten a speeding ticket in MA years ago, and not thinking he'd ever marry someone from the state, he didn't pay it because the state trooper who'd issued it had been a real jerk. Years later it caught up with him-- even though he had eventually paid it-- as his license was suspended. Apparently when MA switched over to a new computer system, they'd added a $10 "administration fee" to tickets to help recoup the cost: this he hadn't paid. When he called, he got the person who'd suspended his license. She took it off for him. This was his example of humanity within bureaucracy.

The printer jammed. He pulled out a crumpled sheet and I laughed; no amount of waiting could diffuse my happiness. More stories followed, he offered me water, producing a bottle from a white mini-fridge behind him that I hadn't noticed because it was covered with a fax machine and printer. A post-it kept losing its stick on the hutch above his desk, so he finally set it down.

When we were finally done, the two of them walked me out. I had 4 signs rubberbanded together, with strings through their holes-- he'd made sure Caroline picked out signs with strings attached for me-- and an envelope with "Ms. TTaT" written on it, containing my copy of the
permit.

I thanked him again, and he said he'd remembered that I was hesitant to pay the fee when we spoke on the phone.

"Yeah, it was really tough for me to decide to pay it."

"Well," he smiled, "now you can have a really nice dinner when you get to Massachusetts."

"Thanks again." I ambled home, clutching the signs against the wind, hoping the guitar for his son's birthday-- he was turning 14 on Saturday-- would be ready for them to pick up on the way home.

NEXT>>>

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04 August 2006

The Screws of the Man (part 2)

(2004 travel saga continued: prelude, Trip Prep; The Screws of The Man: Part 1)

The next two days I agonized over the efficacy of every possible alternative to paying $112.75 for a temporary No Parking sign permit. If not for the damn cable cars, it'd be more doable, but I live by an intersection with 3 lines running. I could:

Double-park and load as much as possible before having to lock the studio and drive around the block to get out of the way of cable cars every 10-20 minutes. Or double-park and load up between 1:30 AM and 6 AM when the cable cars do not run. Once done, I'd still need to find a parking space (which could easily take hours), so I could go back to sleep until a reasonable hour so I can be functional when I drive. Not having renter's insurance, I'd just have to hope my car wouldn't get broken into again before I left. Why they don't offer coverage I could tack onto my auto insurance, I'll never understand.

Park in the driveway across the street, if it's not already blocked (which it typically is) and haul stuff across while dodging cars and cable cars, particularly the one that swings around the corner without stopping, and hope none of the myriad tourists and pedestrians decide to walk off with a souvenir while I'm getting the next load from the studio.

Park on the sidewalk in front of the studio, assuming the way in is not blocked already by someone parked in front of the fire hydrant, and then hope not to get ticketed for doing so.

Park in front of the fire hydrant on the corner (if someone else hasn't already) and try to get all the tourists standing in the street waiting for a cable car to move out of the way, all the while hoping not to get ticketed.

Spend days driving around the block looking for a legit space, knowing that if I actually find one on my block, I then risk getting ticketed because of street cleaning if I find the space before the day I'm leaving.

Try to swoop in apres street cleaning for a spot: this is useless though because no one actually moves their vehicles; they all risk getting ticketed instead.

Enlist help to keep an eye on my stuff while my car is parked further away, and I haul stuff, except that everybody I know works or has class the day I want to leave.

Or finally, I could park in the Public Utilities Commission zone in the next block over and haul stuff while risking a ticket. Most of those spots are less than ideal, however -- as are many legit ones nearby -- because they involve walking steeply uphill.

What then, is the monetary value of the possible hassles I may have to endure, and how much satisfaction will I derive from depriving The Man once I'm actually trying to load my car?

NEXT>>>

One mighty prolific day a year ago at TTaT: It's never to late to call your blog (#9), Audioblog #10, Pants on Fire, Anytime after six, Victoire! Victoire!
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03 August 2006

Obsessive week

Life's been all headspace of late. The humidity is not helping; my concentration is shot. To combat the depressive musings, I've inundated myself with bits of vids, corresponding interviews, and the like. YouTube is quite the time-suck in that regard. It's feeling a bit obsessive at this point, but it has helped redirect my thoughts.

I'm tremendously amused by the way people pull out their favorite storylines or bits from larger pieces. A show with an ensemble cast can be reduced to the arc of one or two characters, or one of those awful "music videos" highlighting some couple's relationship. Still, YouTube is tough to beat if you want to see clips of other stuff actors you like have done.

Anyway, just as what other people post and how they edit it reveals things about them, I'm considering what my own stream of obsessive behavior is indicating about what I want. A desire for change is certainly present; whether I'm able to follow through with it and to what end remains to be seen.

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02 August 2006

The Screws of the Man (part 1)

(A continuation of the 2004 travel saga begun in Trip Prep, though not a direct sequel to it.)

I almost said, "You've got to be kidding," but I could tell that the very nice officer really wasn't. A permit for a temporary No Parking sign would cost me $112.75.

Without it, the chances I would find a parking spot in front of my flat the day I was moving were exceptionally slim. It was foolish of me, but I hadn't even considered that there'd be a fee for this. I'd been prepared to lie about having a moving truck if that was a technicality required, but now I didn't know what to say.

I would think $50 would be enough to dissuade people from making this request with any frequency, but since this is San Francisco, any opportunity to gouge its citizens with cars must be taken.

Officer McIntire told me some people balk at the price. "Really?" I replied, keeping my sarcastic "Imagine that" to myself; I understood he has nothing to do with setting the price for it. It's just his job to coordinate with the Department of Parking and Transportation, the very essence of The Man.

I told him I'd have to think it over...

NEXT>>>

One year ago at TTaT: line of the day
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01 August 2006

Helvetica is not my font

I like the look of Helvetica, but damn if it doesn't print small. I'm used to the 12 pt. of Courier. So why am I not using Courier? I don't know... I just left my plain text program how it was set.

I'm working on the next section of the travelogue saga, two pieces that need to integrated and probably broken up again; when pieces have overlap, I usually find it easier to edit from paper. Unfortunately, round 1 printed at 10 pt., which I could read, there's just not enough room for notes. I should've gone up to 14 pt. for the second run, but the 12 looked fine onscreen.

It's just making me feel old. I suppose I should thank the gods I've gone this long without glasses considering how much optical wear appears in all the photos from both sides of the family.

Bah. I'm just all in my head lately.

One year ago at TTaT: What's on now
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