The process of filling a
4 years ago on TTaT: How many posts does it take to start a road trip?, The Last Day is just the Beginning (part 2)
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A simple vertical spray of water disrupts the water in the basin of the fountain. Aside from the rust-colored water return and small bit of pipe at the top right of the photograph, the image appears to be a Post-Impressionist painting, wavy lines of oil paint in various shades of gold, near blacks, and blues. If you could just stand a little further back, you know you would be able to discern what it is.
There's that little bit of pipe again though, a reminder that you're actually looking at ripples of fountain water illuminated by late afternoon sun. But who else might have stared at light patterns on disturbed water? Studied them, been inspired by them? My mind conjures Vincent Van Gogh.
Ever since I went to New Mexico and saw that the mountains are just like the multi-colored ones Georgia O'Keeffe painted, I've been on the lookout for clues. What inspired the artist to render his or her work in that particular way? What would I have to see, if I had no knowledge of the artist, to be inspired to create work of a similar style? When I find a possible answer, like the water in this photograph, I get excited.
On the way to dinner, we'd been talking about portable phones. I asked, "Does it make a difference how far away from its base it is?" I was trying to troubleshoot a recent problem I'd had with the phone from the basement while I'd been using it on the second floor.
The husband said, "No, the only base that matters is the main one in the kitchen."
"We know that already," chastised the wife.
"I was just trying to clarify," he said.
The wife was saying something else, but I interrupted to say, "That is what I was asking. I didn't know that. Don't speak for me." My tone was not snotty, but I'm sure it sounded abrupt because I was trying to get a frakkin' word in. She did not seem in the least to notice that she had criticized him sharply over something trivial. I did not want to be lumped in with her in that instance.